{"id":1033,"date":"2014-07-01T01:14:27","date_gmt":"2014-07-01T00:14:27","guid":{"rendered":"http:\/\/tresorraum.org\/?p=1033"},"modified":"2014-11-07T12:32:32","modified_gmt":"2014-11-07T11:32:32","slug":"apis-cantus","status":"publish","type":"post","link":"https:\/\/tresorraum.org\/?p=1033","title":{"rendered":"Apis cantus"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"color: #c6c8cc;\">CH\u0152UR D&rsquo;ABEILLES (CHORUS OF BEES) offers a musical composition in response to non-musician bees proposals. Via DSP (digital sound processing), my musical research takes its development from sound forms of \u00ab\u00a0the living\u00a0\u00bb; human forms of silence (in the field of Perceptive).<\/span><\/p>\n<div id=\"attachment_1032\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/tresorraum.org\/wp-content\/uploads\/2014\/06\/Tadbees.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1032\" class=\"size-full wp-image-1032\" src=\"https:\/\/tresorraum.org\/wp-content\/uploads\/2014\/06\/Tadbees.png\" alt=\"\u8702    \uff80\uff84\uff9e\" width=\"1000\" height=\"288\" srcset=\"https:\/\/tresorraum.org\/wp-content\/uploads\/2014\/06\/Tadbees.png 1000w, https:\/\/tresorraum.org\/wp-content\/uploads\/2014\/06\/Tadbees-300x86.png 300w, https:\/\/tresorraum.org\/wp-content\/uploads\/2014\/06\/Tadbees-500x144.png 500w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><p id=\"caption-attachment-1032\" class=\"wp-caption-text\">\u8702 \uff80\uff84\uff9e<\/p><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #c6c8cc;\">This musical artwork, ephemeral by nature, elaborates with Pure data through the development of a musical form, consequent on a non-instrumental gesture articulated with its acoustics signals converted and filtered in real-time. After Rock-art2noise, CHORUS OF BEES signs the second opus experimented within this context.<\/span><\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>CH\u0152UR D&rsquo;ABEILLES (CHORUS OF BEES) offers a musical composition in response to non-musician bees proposals. Via DSP (digital sound processing), my musical research takes its development from sound forms of \u00ab\u00a0the living\u00a0\u00bb; human forms of silence (in the field of &hellip; <a href=\"https:\/\/tresorraum.org\/?p=1033\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-1033","post","type-post","status-publish","format-standard","hentry","category-hoho"],"_links":{"self":[{"href":"https:\/\/tresorraum.org\/index.php?rest_route=\/wp\/v2\/posts\/1033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tresorraum.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tresorraum.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tresorraum.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tresorraum.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1033"}],"version-history":[{"count":6,"href":"https:\/\/tresorraum.org\/index.php?rest_route=\/wp\/v2\/posts\/1033\/revisions"}],"predecessor-version":[{"id":1095,"href":"https:\/\/tresorraum.org\/index.php?rest_route=\/wp\/v2\/posts\/1033\/revisions\/1095"}],"wp:attachment":[{"href":"https:\/\/tresorraum.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tresorraum.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tresorraum.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}